Wesley Enoch is a writer and director. He hails from Stradbroke Island (Minjeribah) and is a proud Quandamooka man.

Wesley is the QUT Indigenous Chair of Creative Industries. Previously he has been the Artistic Director at Sydney Festival from 2017 – 2020; Kooemba Jdarra Indigenous Performing Arts; Artistic Director at Ilbijerri Aboriginal Torres Strait Islander Theatre Co-operative and the Associate Artistic Director at Belvoir Street Theatre. Wesley’s other residencies include Resident Director at Sydney Theatre Company; the 2002 Australia Council Cite Internationale des Arts Residency in Paris and the Australia Council Artistic Director for the Australian Delegation to the 2008 Festival of Pacific Arts. He was creative consultant, segment director and indigenous consultant for the 2018 Gold Coast Commonwealth Games.

Wesley has written and directed iconic Indigenous theatre productions. The 7 Stages of Grieving which Wesley directed and co-wrote with Deborah Mailman was first produced in 1995 and continues to tour both nationally and internationally. Others include The Sunshine Club for Queensland Theatre Company and a new adaptation of Medea by Euripides’; Black Medea. His play The Story of the Miracles at Cookie’s Table won the 2005 Patrick White Playwrights’ Award.

In 2004 Wesley directed the original stage production of The Sapphires which won the 2005 Helpmann Award for Best Play. Other productions include Appropriate, Black Cockatoo, Stolen, Riverland, Mother Courage and her Children, Headful of Love, Bombshells, Black Diggers, Gasp!, Country Song, Happy Days and The Odd Couple, I am Eora, One Night the Moon, The Man from Mukinupin, Yibiyung, Parramatta Girls, Capricornia, The Cherry Pickers and Romeo and Juliet.

His most recent production is the musical The Sunshine Club which he wrote and directed for Queensland Theatre. In 2021 Wesley received the Dorothy Crawford Award For Outstanding Contribution to the Profession and the Industry at the AWGIES.